Karen Brown won acclaim for her debut The Longings of Wayward Girls, a suspenseful novel about two missing girls. Although her new book, The Clairvoyants, is also billed as psychological suspense, it’s really more accurate to describe it as a coming-of-age story with dark, supernatural overtones.
Martha and her sister Del grow up on a farm in Connecticut. When Martha is only 7 years old, she has a vision of her great aunt. Unfortunately, her great aunt has already been dead for many years when they “meet.” As a child, Martha is only mildly disconcerted by the event. It seems to be an isolated, intriguing fluke. But in her late teens, a harrowing incident triggers her strange gift again. She begins experiencing more visions of the dead — most not as pleasant as her great aunt.
Hoping to leave the dead behind, Martha flees to college in Ithaca. There she finds romance with a brooding photographer named William. But her idyll is disrupted when the past comes calling in the form of her impulsive sister Del. Just as Martha tries to reconcile herself to being her unstable sister’s caretaker, a fellow student on campus vanishes. Martha’s visions return with a vengeance.
Although the missing girl is pivotal to the plot of The Clairvoyants, Brown’s story is too leisurely paced to feel like suspense. Her focus is less on finding the missing girl and more on understanding Martha’s unwillingness to use her “gift.” Indeed, Martha’s reluctance to get involved in the case becomes a symbol for her reluctance to take charge of her own life.
Readers who enjoy women’s fiction with a dash of magical realism, such as Alice Hoffman’s Practical Magic and Sarah Addison Allen’s The Peach Keeper should enjoy The Clairvoyants. Like these authors, Brown uses the suspense genre to explore the rivalries that shape women and their relationships with one another.
This review originally appeared at “Between the Covers,” the book review blog for the Baltimore County Public Library. For more great reading ideas, check out all the reviews there.